Evangelion creator says even Hayao Miyazaki anime don’t have enough Miyazaki

Having seen some of Miyazaki’s stuff with it’s twisted humor and funny stories, Anno san is exactly right. If you get a chance, look up Miyazaki’s manga and see what we mean.

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How much of a Hayao Miyazaki purist are you? Have you never once set your Spirited Away DVD to the English-dubbed audio? Do you cringe at the thought of watching Castle in the Sky Laputa with its reworked soundtrack? Do you actually pronounce warrior princess Nausicaa’s name with the “shi” sound it contains when rendered in Japanese text?

Even if you answered yes to all those questions, it’s unlikely you’ve got as much love for the Studio Ghibli cofounder as Evangelion creator Hideaki Anno. Why? Because for Anno, even movies directed and written by Miyazaki himself don’t have enough Miyazaki-created content.

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The Ghibli Museum.

One of the wonderful places you can visit in Tokyo is the Ghibli Museum.
It the physical manifestation one of the most creative minds ever. While Mr Miyazaki didn’t have the budget that Walt Disney had, he’s managed to create a wonderful space filled with imagination and fun. Here’s my Flikr album from my two visits there:


Unfortunately you can’t take photographs inside the building. Which is a shame as the space begs photography.
Here’s a scan of the brochure:
This doesn’t begin to show the wonderful weirdness of the space. suffice to say it will be like no other place you have ever been.
Watch out for the gift shop though. It’s run by the Mama Aiuto gang who are very skilled at finding ways to entice you give them money.

Then there’s this:
which is very tempting to me, even though I have a stack of stuff to build six feet high and no place to put it all.
This should be real:

The Wind Rises

In my less than humble opinion Hayao Miyazaki’s “The Wind Rises” is the best engineering movie ever made. I will admit to a certain degree Of bias in this. I have been a Studio Ghibli fan since I saw Kiki’s Delivery Service in the raw Japanese at a convention back in the early 1990’s. I bought the first Disney release of Kiki’s when it came out and ever movie since. I have copies of every Miyazaki movie and have seen even the stuff that was never officially released here in the US. I’ve been to the Ghibli museum, twice. I have all the art books for the Miyazaki movies. So I think that Miyazaki is one of the greatest film makers of all time. But I’m certainly not the only one in the world with that opinion.
Miyazaki’s reputation and my fan slobbering not withstanding, “The Wind Rise stands on it’s own. It’s not a children’s movie essentially like most of Miyazaki’s movies and deals with themes such as drive, persistence, death and achievement that you don’t see in say Kiki’s or Spirited Away. The characters in “Wind” are adults in an adult world, doing adult things. The main character, Jiro has to deal with illness and loss, all the while pursuing his dream. He experiences failure and triumph, turned to bittersweet by life. This is a beautiful work with a foot in what we experience in real life. Here’s the trailer, beautiful in it’s own right.:

Beyond Miyazaki’s usual fair of young people this reaches out of Miyazaki’s usual box of story tricks. And he doesn’t reach for comedy to blunt the edges like he did with Porco Rosso. No fascist hating pigs here. Just young engineers trying to understand a world seemingly going slowly mad. And the relationships are not perfect fairy tails with happy endings. Jiro’s love interest Naoko is carrying the burden of fatal disease, something that was common in a world without antibiotics. This was our world, but in many ways it’s as alien as the world of Spirited Away. Miyazaki presents that brilliantly.
The film captures the essence of the creative process that engineering represents. Through Jiro we see an engineer’s growth through simple project to visiting foreign lands to learn new technologies to his first aircraft and failure, followed by triumph. We also the failures. Aircraft are pranged and contracts lost. The foreign aircraft company that japan is buying technology from is uncooperative when it comes to sharing technical details. And the engineers struggle to overcome technical and production hurdles. We see the Mitsubishi company having to use oxen to cart the aircraft and out to the field and then cart the pieces back. We see Jiro’s first project airplane in pieces and Jiro withdrawing on vacation in depression, his dream seemingly in ruins. We also see his comeback in triumph.
In addition to all that is the detail. Miyazaki gets the details of the engineering office right. We see all the roles needed to make the project work. We see the stress of the contract meeting and the fun of the design startup meeting with it’s somewhat unrealistic goals. We also get to see how all the engineers can’t wait to get a look at the new parts even when the secret police is waiting outside. Miyazaki does a wonderful job of getting the feel of engineering right.
There are very few movies made about engineering. There’s the British movie about Mitchell and the Spitfire and that’s about it. Googling “engineering movies” produces lists of movies:
None of these touch on the design process the way that Miyazaki does. I don’t know why Miyazaki chose this as his last movie. It may be that he was resolving some issue in his past or it may be that he felt the subject was a story that needed to be told. He was right, this is a story that needs to be told, not just about the Mitsubishi type A6MJ Zero, but about the engineer and creative process that has changed our world in so many ways. A truly great film.